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act3/figures/blanche.*

Fig. 16 Paleturquoise, lightgreen, lightsalmon: Paradiso, Purgatorio, Inferno. The color-coding corresponds to Dante’s Magna Opera 3 2 1. And the lightgray represents the raw, unprocessed, yet-to-be transformed inputs. These triadic themes spawn an unlimited number of variants. For instance, the adversary-identity-tokenization-joy nodes can be thought of as tragical-comical-historical-pastoral. They align with the tragedy of commons, mistaken identity as the most accessible resource for comedy, and the history of mankind being a story of encoding everything into symbol, language, token, and commodity to facilitate dialogue#