Born to Etiquette

Born to Etiquette#

https://upload.wikimedia.org/wikipedia/commons/7/72/Prometheus_and_Atlas%2C_Laconian_black-figure_kylix%2C_by_the_Arkesilas_Painter%2C_560-550_BC%2C_inv._16592_-_Museo_Gregoriano_Etrusco_-_Vatican_Museums_-_DSC01069.jpg

Fig. 30 I got my hands on every recording by Hendrix, Joni Mitchell, CSN, etc (foundations). Thou shalt inherit the kingdom (yellow node). And so why would Bankman-Fried’s FTX go about rescuing other artists failing to keep up with the Hendrixes? Why worry about the fate of the music industry if some unknown joe somewhere in their parents basement may encounter an unknown-unknown that blows them out? Indeed, why did he take on such responsibility? - Great question by interviewer. The tonal inflections and overuse of ecosystem (a node in our layer 1) as well as clichêd variant of one of our output layers nodes (unknown) tells us something: our neural network digests everything and is coherenet. It’s based on our neural anatomy!#

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import numpy as np
import matplotlib.pyplot as plt
import networkx as nx

# Define the neural network fractal
def define_layers():
    return {
        'World': ['Particles-Compression', 'Vibration-Particulate.Matter', 'Ear, Cerebellum-Georientation', 'Harmonic Series-Agency.Phonology', 'Space-Verb.Syntax', 'Time-Object.Meaning', ], # Resources
        'Perception': ['Rhythm, Pockets'], # Needs
        'Agency': ['Open-Nomiddleman', 'Closed-Trusted'], # Costs
        'Generative': ['Ratio-Weaponized', 'Competition-Tokenized', 'Odds-Monopolized'], # Means
        'Physical': ['Volatile-Revolutionary', 'Unveiled-Resentment',  'Freedom-Dance in Chains', 'Exuberant-Jubilee', 'Stable-Conservative'] # Ends
    }

# Assign colors to nodes
def assign_colors():
    color_map = {
        'yellow': ['Rhythm, Pockets'],
        'paleturquoise': ['Time-Object.Meaning', 'Closed-Trusted', 'Odds-Monopolized', 'Stable-Conservative'],
        'lightgreen': ['Space-Verb.Syntax', 'Competition-Tokenized', 'Exuberant-Jubilee', 'Freedom-Dance in Chains', 'Unveiled-Resentment'],
        'lightsalmon': [
            'Ear, Cerebellum-Georientation', 'Harmonic Series-Agency.Phonology', 'Open-Nomiddleman', 
            'Ratio-Weaponized', 'Volatile-Revolutionary'
        ],
    }
    return {node: color for color, nodes in color_map.items() for node in nodes}

# Calculate positions for nodes
def calculate_positions(layer, x_offset):
    y_positions = np.linspace(-len(layer) / 2, len(layer) / 2, len(layer))
    return [(x_offset, y) for y in y_positions]

# Create and visualize the neural network graph
def visualize_nn():
    layers = define_layers()
    colors = assign_colors()
    G = nx.DiGraph()
    pos = {}
    node_colors = []

    # Add nodes and assign positions
    for i, (layer_name, nodes) in enumerate(layers.items()):
        positions = calculate_positions(nodes, x_offset=i * 2)
        for node, position in zip(nodes, positions):
            G.add_node(node, layer=layer_name)
            pos[node] = position
            node_colors.append(colors.get(node, 'lightgray'))  # Default color fallback

    # Add edges (automated for consecutive layers)
    layer_names = list(layers.keys())
    for i in range(len(layer_names) - 1):
        source_layer, target_layer = layer_names[i], layer_names[i + 1]
        for source in layers[source_layer]:
            for target in layers[target_layer]:
                G.add_edge(source, target)

    # Draw the graph
    plt.figure(figsize=(12, 8))
    nx.draw(
        G, pos, with_labels=True, node_color=node_colors, edge_color='gray',
        node_size=3000, font_size=8, connectionstyle="arc3,rad=0.2"
    )
    plt.title("Music", fontsize=13)
    plt.show()

# Run the visualization
visualize_nn()
../../_images/02873884369a179ee9a2fb7167ea915e560e6d02b417e8a3e8ef5886a9bcc5a9.png
../../_images/blanche.png

Fig. 31 Glenn Gould and Leonard Bernstein famously disagreed over the tempo and interpretation of Brahms’ First Piano Concerto during a 1962 New York Philharmonic concert, where Bernstein, conducting, publicly distanced himself from Gould’s significantly slower-paced interpretation before the performance began, expressing his disagreement with the unconventional approach while still allowing Gould to perform it as planned; this event is considered one of the most controversial moments in classical music history.#