Feminism

Haran, Egypt, Canaan

Don’t worry, everything is out of control!

It’s all about narrative, vocabulary, words, and air. Most scholars view the patriarchal age, along with the Exodus and the period of the biblical judges, as a late literary construct that does not relate to any particular historical era, and after a century of exhaustive archaeological investigation, no evidence has been found for a historical Abraham. It is largely concluded that the Torah, the series of books that includes Genesis, was composed during the early Persian period, c. 500 BC, as a result of tensions between Jewish landowners who had stayed in Judah during the Babylonian captivity and traced their right to the land through their “father Abraham”, and the returning exiles who based their counterclaim on Moses and the Exodus tradition of the Israelites.

               1. ii7♭5.Phonetics
                                 \
            2. V7.Temperament -> 4. V7.Modes/Equal-> 5. ♯9♭9♭13.NexToken/Temperament -> 6. i.Emotion/Scale
                                 /
                                 3. i.Scales

• ii7b5 past: stress. TERAH/Patriarchy. Exposition: The other is about a friend coming up to Sandler while he’s eating grapes and telling Sandler he’s changed. “‘Get outta here, I’ve always liked grapes,’” Sandler tells the guy. But the other guy keeps insisting he doesn’t like this version of Sandler, and eventually he storms out. “So he left, and I said to the man who was feeding me the grapes, “What do you think? Do you think I’ve changed?”

• V7 now: peace 🕊️ ☮️ ✌🏾 AFRICA/Exodus. Development: After an hour of Sandlerian humor, with jokes about no-wipe poops, Botoxing your dick, and the tragedy of ruining a lovely day at Disneyland by missing the exit on the way home and yelling “Fucking cunt!”, Sandler modulates into sincerity (look at his fashion sense). It’s a mode the special’s actually working in all along — it drives Sandler’s entire comedic outlook, really — but generally it stays more subterranean, present but implicit.

• i future: anxiety CANAAN/Judges. Recapitulation: At the end, though, the goal is to punch you in the feelings. After telling the crowd that he’s playing with a guitar his dad gave him when he was 12, Sandler launches into a song about why he does what he does. “You’re down, boy. No one around, boy. Head in your hands and pain, so much pain. How can you ever be yourself again?” he sings. “You know, it’s comedy.”

These six topics (two triumvirate fractals) cover all aspects of music. Phonetics-Temperament-Scales & Modes-NexToken-Emotion. In the context of feminism, we draw from fruitful metaphors: Heran-Slavery-Canaan & Patriarchy-Exodus-Judges. Out of the spirit of music, we liken this to the archetypal ii7♭5-V7-i structure. This outline is enriched by all sorts of transformations including insertions, deletions, transpositions, inversions, etc.

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import networkx as nx
import matplotlib.pyplot as plt
import numpy as np

# Create a directed graph
G = nx.DiGraph()

# Add nodes representing different levels (subatomic, atomic, cosmic, financial, social)
levels = ['i: Judges', 'ii7♭5: Patriarchy', 'V7: Exodus']

# Add nodes to the graph
G.add_nodes_from(levels)

# Add edges to represent the flow of information (photons)
# Assuming the flow is directional from more fundamental levels to more complex ones
edges = [('ii7♭5: Patriarchy', 'V7: Exodus'),
         ('V7: Exodus', 'i: Judges'),]

# Add edges to the graph
G.add_edges_from(edges)

# Define positions for the nodes in a circular layout
pos = nx.circular_layout(G)

# Set the figure size (width, height)
plt.figure(figsize=(10, 10))  # Adjust the size as needed

# Draw the main nodes
nx.draw_networkx_nodes(G, pos, node_color='lightblue', node_size=30000)

# Draw the edges with arrows and create space between the arrowhead and the node
nx.draw_networkx_edges(G, pos, arrowstyle='->', arrowsize=20, edge_color='grey',
                       connectionstyle='arc3,rad=0.2')  # Adjust rad for more/less space

# Add smaller red nodes (photon nodes) exactly on the circular layout
for edge in edges:
    # Calculate the vector between the two nodes
    vector = pos[edge[1]] - pos[edge[0]]
    # Calculate the midpoint
    mid_point = pos[edge[0]] + 0.5 * vector
    # Normalize to ensure it's on the circle
    radius = np.linalg.norm(pos[edge[0]])
    mid_point_on_circle = mid_point / np.linalg.norm(mid_point) * radius
    # Draw the small red photon node at the midpoint on the circular layout
    plt.scatter(mid_point_on_circle[0], mid_point_on_circle[1], c='lightpink', s=500, zorder=3)

    # Draw a small lime green arrow inside the red node to indicate direction
    arrow_vector = vector / np.linalg.norm(vector) * 0.1  # Scale down arrow size
    plt.arrow(mid_point_on_circle[0] - 0.05 * arrow_vector[0],
              mid_point_on_circle[1] - 0.05 * arrow_vector[1],
              arrow_vector[0], arrow_vector[1],
              head_width=0.03, head_length=0.05, fc='limegreen', ec='limegreen', zorder=4)

# Draw the labels for the main nodes
nx.draw_networkx_labels(G, pos, font_size=18, font_weight='normal')

# Add a legend for "Photon/Info"
plt.scatter([], [], c='lightpink', s=100, label='Chord Progression')  # Empty scatter for the legend
plt.legend(scatterpoints=1, frameon=True, labelspacing=1, loc='upper right')

# Set the title and display the plot
plt.title('Emotional Arc', fontsize=15)
plt.axis('off')
plt.show()

Faith, Love, Hope. Trump, Clinton, Obama. ii7♭5 Reverence that demands a leap of faith & piety. V7 Inference intepreted by love of forebears struggle. i Deliverance, that was promised and is needed, from thine enemy

Ecc 3:16

• 16 And moreover I saw under the sun the place of judgment, that wickedness was there; and the place of righteousness, that iniquity was there.

• 17 I said in mine heart, God shall judge the righteous and the wicked: for there is a time there for every purpose and for every work.

• 18 I said in mine heart concerning the estate of the sons of men, that God might manifest them, and that they might see that they themselves are beasts.

• 19 For that which befalleth the sons of men befalleth beasts; even one thing befalleth them: as the one dieth, so dieth the other; yea, they have all one breath; so that a man hath no preeminence above a beast: for all is vanity.

• 20 All go unto one place; all are of the dust, and all [re]turn to dust again.

• 21 Who knoweth the spirit of man that goeth upward, and the spirit of the beast that goeth downward to the earth?

• 22 Wherefore I perceive that there is nothing better, than that a man should rejoice in his own works; for that is his portion: for who shall bring him to see what shall be after him?

  • Truly love of thy current work exceedeth faith in the past deeds of thine forbears and hopeful overcoming in the future

                    1. Nodes
                            \
                2. Edges -> 4. Edges -> 5. Weights -> 6. Scale
                            /
                            3. Scale

ii \(\mu\) Past

• ii \(f(t)\) Phonetics: ^{45 46} Fractals \(440Hz \times 2^{\frac{N}{12}}\), \(S_0(t) \times e^{logHR}\), \(\frac{S N(d_1)}{K N(d_2)} \times e^{rT}\)

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import numpy as np
import matplotlib.pyplot as plt

# Parameters
sample_rate = 44100  # Hz
duration = 20.0       # seconds
A4_freq = 440.0      # Hz

# Time array
t = np.linspace(0, duration, int(sample_rate * duration), endpoint=False)

# Fundamental frequency (A4)
signal = np.sin(2 * np.pi * A4_freq * t)

# Adding overtones (harmonics)
harmonics = [2, 3, 4, 5, 6, 7, 8, 9]  # First few harmonics
amplitudes = [0.5, 0.25, 0.15, 0.1, 0.05, 0.03, 0.01, 0.005]  # Amplitudes for each harmonic

for i, harmonic in enumerate(harmonics):
    signal += amplitudes[i] * np.sin(2 * np.pi * A4_freq * harmonic * t)

# Perform FFT (Fast Fourier Transform)
N = len(signal)
yf = np.fft.fft(signal)
xf = np.fft.fftfreq(N, 1 / sample_rate)

# Modify the x-axis to represent a timeline from biblical times to today
timeline_labels = ['2000 BC', '1000 BC', 'Birth of Jesus', 'St. Paul', 'Middle Ages', 'Renaissance', 'Modern Era']
timeline_positions = np.linspace(0, 2024, len(timeline_labels))  # positions corresponding to labels

# Down-sample the y-axis data to match the length of timeline_positions
yf_sampled = 2.0 / N * np.abs(yf[:N // 2])
yf_downsampled = np.interp(timeline_positions, np.linspace(0, 2024, len(yf_sampled)), yf_sampled)

# Plot the frequency spectrum with modified x-axis
plt.figure(figsize=(12, 6))
plt.plot(timeline_positions, yf_downsampled, color='navy', lw=1.5)

# Aesthetics improvements
plt.title('Simulated Frequency Spectrum with Historical Timeline', fontsize=16, weight='bold')
plt.xlabel('Historical Timeline', fontsize=14)
plt.ylabel('Reverence', fontsize=14)
plt.xticks(timeline_positions, labels=timeline_labels, fontsize=12)
plt.ylim(0, None)

# Shading the period from Birth of Jesus to St. Paul
plt.axvspan(timeline_positions[2], timeline_positions[3], color='lightpink', alpha=0.5)

# Annotate the shaded region
plt.annotate('Birth of Jesus to St. Paul',
             xy=(timeline_positions[2], 0.7), xycoords='data',
             xytext=(timeline_positions[3] + 200, 0.5), textcoords='data',
             arrowprops=dict(facecolor='black', arrowstyle="->"),
             fontsize=12, color='black')

# Remove top and right spines
plt.gca().spines['top'].set_visible(False)
plt.gca().spines['right'].set_visible(False)

# Customize ticks
plt.xticks(timeline_positions, labels=timeline_labels, fontsize=12)
plt.yticks(fontsize=12)

# Light grid
plt.grid(color='grey', linestyle=':', linewidth=0.5)

# Show the plot
plt.tight_layout()


plt.show()

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• V7 \(S(t)\) Temperament: \(440Hz \times 2^{\frac{N}{12}}\)

• i \(h(t)\) Scales: 12 unique notes x 7 modes (Bach covers only x 2 modes in WTK)

  • Soulja Boy has an incomplete Phrygian in PBS

  • Flamenco Phyrgian scale is equivalent to a Mixolydian V9♭♯9♭13

V7 \(\sigma\) Now

• \((X'X)^T \cdot X'Y\): Mode: \( \mathcal{F}(t) = \alpha \cdot \left( \prod_{i=1}^{n} \frac{\partial \psi_i(t)}{\partial t} \right) + \beta \cdot \int_{0}^{t} \left( \sum_{j=1}^{m} \frac{\partial \phi_j(\tau)}{\partial \tau} \right) d\tau\)

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import matplotlib.pyplot as plt
import numpy as np

# Clock settings; f(t) random disturbances making "paradise lost"
clock_face_radius = 1.0
number_of_ticks = 7
tick_labels = [
    "Root-iADL (i)",
    "Hunter-gather (ii7♭5)", "Peasant (III)", "Farmer (iv)", "Manufacturer (V7♭9♯9♭13)",
    "Energy (VI)", "Transport (VII)"
]

# Calculate the angles for each tick (in radians)
angles = np.linspace(0, 2 * np.pi, number_of_ticks, endpoint=False)
# Inverting the order to make it counterclockwise
angles = angles[::-1]

# Create figure and axis
fig, ax = plt.subplots(figsize=(8, 8))
ax.set_xlim(-1.2, 1.2)
ax.set_ylim(-1.2, 1.2)
ax.set_aspect('equal')

# Draw the clock face
clock_face = plt.Circle((0, 0), clock_face_radius, color='lightgrey', fill=True)
ax.add_patch(clock_face)

# Draw the ticks and labels
for angle, label in zip(angles, tick_labels):
    x = clock_face_radius * np.cos(angle)
    y = clock_face_radius * np.sin(angle)
    
    # Draw the tick
    ax.plot([0, x], [0, y], color='black')
    
    # Positioning the labels slightly outside the clock face
    label_x = 1.1 * clock_face_radius * np.cos(angle)
    label_y = 1.1 * clock_face_radius * np.sin(angle)
    
    # Adjusting label alignment based on its position
    ha = 'center'
    va = 'center'
    if np.cos(angle) > 0:
        ha = 'left'
    elif np.cos(angle) < 0:
        ha = 'right'
    if np.sin(angle) > 0:
        va = 'bottom'
    elif np.sin(angle) < 0:
        va = 'top'
    
    ax.text(label_x, label_y, label, horizontalalignment=ha, verticalalignment=va, fontsize=10)

# Remove axes
ax.axis('off')

# Show the plot
plt.show()

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i \(\%\) Future

• \(\alpha, \beta, t\) NexToken: Attention, to the minor, major, dom7, and half-dim7 groupings, is all you need ⁴⁷

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import matplotlib.pyplot as plt
import numpy as np

# Clock settings; f(t) random disturbances making "paradise lost"
clock_face_radius = 1.0
number_of_ticks = 9
tick_labels = [
    "Sun-Genomics", "Chlorophyll-Transcriptomics", "Flora-Proteomics", "Animals-Metabolomics",
    "Wood-Epigenomics", "Coal-Lipidomics", "Hydrocarbons-Glycomics", "Renewable-Metagenomics", "Nuclear-Phenomics"
]

# Calculate the angles for each tick (in radians)
angles = np.linspace(0, 2 * np.pi, number_of_ticks, endpoint=False)
# Inverting the order to make it counterclockwise
angles = angles[::-1]

# Create figure and axis
fig, ax = plt.subplots(figsize=(8, 8))
ax.set_xlim(-1.2, 1.2)
ax.set_ylim(-1.2, 1.2)
ax.set_aspect('equal')

# Draw the clock face
clock_face = plt.Circle((0, 0), clock_face_radius, color='lightgrey', fill=True)
ax.add_patch(clock_face)

# Draw the ticks and labels
for angle, label in zip(angles, tick_labels):
    x = clock_face_radius * np.cos(angle)
    y = clock_face_radius * np.sin(angle)
    
    # Draw the tick
    ax.plot([0, x], [0, y], color='black')
    
    # Positioning the labels slightly outside the clock face
    label_x = 1.1 * clock_face_radius * np.cos(angle)
    label_y = 1.1 * clock_face_radius * np.sin(angle)
    
    # Adjusting label alignment based on its position
    ha = 'center'
    va = 'center'
    if np.cos(angle) > 0:
        ha = 'left'
    elif np.cos(angle) < 0:
        ha = 'right'
    if np.sin(angle) > 0:
        va = 'bottom'
    elif np.sin(angle) < 0:
        va = 'top'
    
    ax.text(label_x, label_y, label, horizontalalignment=ha, verticalalignment=va, fontsize=10)

# Remove axes
ax.axis('off')

# Show the plot
plt.show()

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• \(SV_t'\) Emotion: How many degrees of freedom does a composer, performer, or audience member have within a genre? We’ve roped in the audience as a reminder that music has no passive participants

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import numpy as np
import matplotlib.pyplot as plt

# Define the total utility function U(Q)
def total_utility(Q):
    return 100 * np.log(Q + 1)  # Logarithmic utility function for illustration

# Define the marginal utility function MU(Q)
def marginal_utility(Q):
    return 100 / (Q + 1)  # Derivative of the total utility function

# Generate data
Q = np.linspace(1, 100, 500)  # Quantity range from 1 to 100
U = total_utility(Q)
MU = marginal_utility(Q)

# Plotting
plt.figure(figsize=(14, 7))

# Plot Total Utility
plt.subplot(1, 2, 1)
plt.plot(Q, U, label=r'Total Utility $U(Q) = 100 \log(Q + 1)$', color='blue')
plt.title('Total Utility')
plt.xlabel('Quantity (Q)')
plt.ylabel('Total Utility (U)')
plt.legend()
plt.grid(True)

# Plot Marginal Utility
plt.subplot(1, 2, 2)
plt.plot(Q, MU, label=r'Marginal Utility $MU(Q) = \frac{dU(Q)}{dQ} = \frac{100}{Q + 1}$', color='red')
plt.title('Marginal Utility')
plt.xlabel('Quantity (Q)')
plt.ylabel('Marginal Utility (MU)')
plt.legend()
plt.grid(True)

# Adding some calculus notation and Greek symbols
plt.figtext(0.5, 0.02, r"$MU(Q) = \frac{dU(Q)}{dQ} = \lim_{\Delta Q \to 0} \frac{U(Q + \Delta Q) - U(Q)}{\Delta Q}$", ha="center", fontsize=12)

plt.tight_layout()
plt.show()

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import matplotlib.pyplot as plt
import numpy as np
from matplotlib.cm import ScalarMappable
from matplotlib.colors import LinearSegmentedColormap, PowerNorm

def gaussian(x, mean, std_dev, amplitude=1):
    return amplitude * np.exp(-0.9 * ((x - mean) / std_dev) ** 2)

def overlay_gaussian_on_line(ax, start, end, std_dev):
    x_line = np.linspace(start[0], end[0], 100)
    y_line = np.linspace(start[1], end[1], 100)
    mean = np.mean(x_line)
    y = gaussian(x_line, mean, std_dev, amplitude=std_dev)
    ax.plot(x_line + y / np.sqrt(2), y_line + y / np.sqrt(2), color='red', linewidth=2.5)

fig, ax = plt.subplots(figsize=(10, 10))

intervals = np.linspace(0, 100, 11)
custom_means = np.linspace(1, 23, 10)
custom_stds = np.linspace(.5, 10, 10)

# Change to 'viridis' colormap to get gradations like the older plot
cmap = plt.get_cmap('viridis')
norm = plt.Normalize(custom_stds.min(), custom_stds.max())
sm = ScalarMappable(cmap=cmap, norm=norm)
sm.set_array([])

median_points = []

for i in range(10):
    xi, xf = intervals[i], intervals[i+1]
    x_center, y_center = (xi + xf) / 2 - 20, 100 - (xi + xf) / 2 - 20
    x_curve = np.linspace(custom_means[i] - 3 * custom_stds[i], custom_means[i] + 3 * custom_stds[i], 200)
    y_curve = gaussian(x_curve, custom_means[i], custom_stds[i], amplitude=15)
    
    x_gauss = x_center + x_curve / np.sqrt(2)
    y_gauss = y_center + y_curve / np.sqrt(2) + x_curve / np.sqrt(2)
    
    ax.plot(x_gauss, y_gauss, color=cmap(norm(custom_stds[i])), linewidth=2.5)
    median_points.append((x_center + custom_means[i] / np.sqrt(2), y_center + custom_means[i] / np.sqrt(2)))

median_points = np.array(median_points)
ax.plot(median_points[:, 0], median_points[:, 1], '--', color='grey')
start_point = median_points[0, :]
end_point = median_points[-1, :]
overlay_gaussian_on_line(ax, start_point, end_point, 24)

ax.grid(True, linestyle='--', linewidth=0.5, color='grey')
ax.set_xlim(-30, 111)
ax.set_ylim(-20, 87)

# Create a new ScalarMappable with a reversed colormap just for the colorbar
cmap_reversed = plt.get_cmap('viridis').reversed()
sm_reversed = ScalarMappable(cmap=cmap_reversed, norm=norm)
sm_reversed.set_array([])

# Existing code for creating the colorbar
cbar = fig.colorbar(sm_reversed, ax=ax, shrink=1, aspect=90)

# Specify the tick positions you want to set
custom_tick_positions = [0.5, 5, 8, 10]  # example positions, you can change these
cbar.set_ticks(custom_tick_positions)

# Specify custom labels for those tick positions
custom_tick_labels = ['5', '3', '1', '0']  # example labels, you can change these
cbar.set_ticklabels(custom_tick_labels)

# Label for the colorbar
cbar.set_label(r'♭', rotation=0, labelpad=15, fontstyle='italic', fontsize=24)


# Label for the colorbar
cbar.set_label(r'♭', rotation=0, labelpad=15, fontstyle='italic', fontsize=24)


cbar.set_label(r'♭', rotation=0, labelpad=15, fontstyle='italic', fontsize=24)

# Add X and Y axis labels with custom font styles
ax.set_xlabel(r'Principal Component', fontstyle='italic')
ax.set_ylabel(r'Emotional State', rotation=0, fontstyle='italic', labelpad=15)

# Add musical modes as X-axis tick labels
# musical_modes = ["Ionian", "Dorian", "Phrygian", "Lydian", "Mixolydian", "Aeolian", "Locrian"]
greek_letters = ['α', 'β','γ', 'δ', 'ε', 'ζ', 'η'] # 'θ' , 'ι', 'κ'
mode_positions = np.linspace(ax.get_xlim()[0], ax.get_xlim()[1], len(greek_letters))
ax.set_xticks(mode_positions)
ax.set_xticklabels(greek_letters, rotation=0)

# Add moods as Y-axis tick labels
moods = ["flow", "control", "relaxed", "bored", "apathy","worry", "anxiety", "arousal"]
mood_positions = np.linspace(ax.get_ylim()[0], ax.get_ylim()[1], len(moods))
ax.set_yticks(mood_positions)
ax.set_yticklabels(moods)

# ... (rest of the code unchanged)


plt.tight_layout()
plt.show()

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Emotion & Affect as Outcomes & Freewill. And the predictors \(\beta\) are MQ-TEA: Modes (ionian, dorian, phrygian, lydian, mixolydian, locrian), Qualities (major, minor, dominant, suspended, diminished, half-dimished, augmented), Tensions (7th), Extensions (9th, 11th, 13th), and Alterations (♯, ♭) ⁴⁸

                    1. f(t)
                           \
               2. S(t) ->  4. Nxb:t(X'X).X'Y -> 5. b -> 6. df
                           /
                           3. h(t)

moiety

ii. That’s a fascinating way to look at it—cocktails as a “homecoming” for spirits like whisky, returning some of the complexity and nuances that were distilled away. In distillation, a lot of the original flavors and components of the base liquid (like the wash in whisky) are removed, leaving a spirit that is more concentrated in alcohol but often simpler in its raw form. The aging process in barrels adds back complexity, but it’s a different kind of complexity—more about wood, time, and oxidation than the original ingredients.

V7. Cocktails, in a way, reintroduce some of that lost complexity by blending the spirit with other ingredients—sugars, bitters, citrus, herbs, and other flavor elements. These additions can bring back the sweetness, acidity, and layered flavors that distillation might strip away. It’s almost like reconstructing the richness and diversity of the original mash or wash, but with a modern twist. (think of the alterations available to a dominant chord)

i. So yes, cocktails could be seen as a “homecoming,” where the distilled spirit returns to a fuller, more complex state—echoing the flavors and balance that were present before distillation, while also introducing new layers and dimensions through the art of mixology.

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import pandas as pd

# Data for the table
data = {
    "Thinker": [
        "Heraclitus", "Plato", "Aristotle", "Augustine", "Thomas Aquinas", 
        "Machiavelli", "Descartes", "Spinoza", "Leibniz", "Hume", 
        "Kant", "Hegel", "Nietzsche", "Marx", "Freud", 
        "Jung", "Schumpeter", "Foucault", "Derrida", "Deleuze"
    ],
    "Epoch": [
        "Ancient", "Ancient", "Ancient", "Late Antiquity", "Medieval",
        "Renaissance", "Early Modern", "Early Modern", "Early Modern", "Enlightenment",
        "Enlightenment", "19th Century", "19th Century", "19th Century", "Late 19th Century",
        "Early 20th Century", "Early 20th Century", "Late 20th Century", "Late 20th Century", "Late 20th Century"
    ],
    "Lineage": [
        "Implicit", "Socratic lineage", "Builds on Plato",
        "Christian synthesis", "Christianizes Aristotle", 
        "Acknowledges predecessors", "Breaks tradition", "Synthesis of traditions", "Cartesian", "Empiricist roots",
        "Hume influence", "Dialectic evolution", "Heraclitus influence",
        "Hegelian critique", "Original psychoanalysis",
        "Freudian divergence", "Marxist roots", "Nietzsche, Marx",
        "Deconstruction", "Nietzsche, Spinoza" 
    ]
}

# Create DataFrame
df = pd.DataFrame(data)

# Display DataFrame
print(df)

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           Thinker               Epoch                    Lineage
0       Heraclitus             Ancient                   Implicit
1            Plato             Ancient           Socratic lineage
2        Aristotle             Ancient            Builds on Plato
3        Augustine      Late Antiquity        Christian synthesis
4   Thomas Aquinas            Medieval    Christianizes Aristotle
5      Machiavelli         Renaissance  Acknowledges predecessors
6        Descartes        Early Modern           Breaks tradition
7          Spinoza        Early Modern    Synthesis of traditions
8          Leibniz        Early Modern                  Cartesian
9             Hume       Enlightenment           Empiricist roots
10            Kant       Enlightenment             Hume influence
11           Hegel        19th Century        Dialectic evolution
12       Nietzsche        19th Century       Heraclitus influence
13            Marx        19th Century          Hegelian critique
14           Freud   Late 19th Century    Original psychoanalysis
15            Jung  Early 20th Century        Freudian divergence
16      Schumpeter  Early 20th Century              Marxist roots
17        Foucault   Late 20th Century            Nietzsche, Marx
18         Derrida   Late 20th Century             Deconstruction
19         Deleuze   Late 20th Century         Nietzsche, Spinoza

• Graph theory &

  • LoRs

  • Music

  • Presidents

  • Thesis

  • Cosmos

  • Finance

  • DAGs

  • Information

  • Light

  • Gravity

        1. Individual/Passion/Challenges
                                       \
                       2. Knowledge -> 4. Communication -> 5. Team/Network/Leadership/Decisions/Feedback/Professionalism -> 6. Accomplishments/Exceptional
                                       /
                                       3. Technical/Skills/Abilities

Receive (Households) Nodes

• Challenges

• Knowledge

Express (Grid) Edges

• Power

• Routing

Achieve (California) Vastness

• Suppy & Demand

• Incentives

GPT-4o

Sure, here’s an interpretation of “nodes, edges, vastness” in a graph theory context:

1. Nodes (or vertices):

   • Represent entities or points within a network. In a social network, nodes might represent individuals; in a transport network, they might represent cities.

   • Each node can have attributes or properties, such as a person’s name, age, or location in a social network.

2. Edges (or links):

   • Represent the connections or relationships between nodes. In a social network, an edge might represent a friendship or a communication line; in a transport network, it might represent a road or flight path.

   • Edges can be directed (one-way) or undirected (two-way), weighted (indicating the strength or capacity of the connection) or unweighted.

3. Vastness:

   • Refers to the scale or extent of the network. This can mean the number of nodes and edges, the complexity of their interconnections, and the reach or spread of the network.

   • In a large network, vastness can also imply the challenges of managing, analyzing, and visualizing the data due to the sheer size and intricacy of the network structure.

Examples of Networks in Context

1. Social Networks:

   • Nodes: Individuals or organizations.

   • Edges: Friendships, followers, or professional connections.

   • Vastness: Large social media platforms like Facebook or LinkedIn, with millions or billions of users and connections.

2. Transport Networks:

   • Nodes: Airports, train stations, bus stops.

   • Edges: Flight paths, railway tracks, bus routes.

   • Vastness: Global air travel network, with extensive connections covering multiple continents and countries.

3. Internet and Communication Networks:

   • Nodes: Servers, routers, computers.

   • Edges: Physical or wireless connections (cables, signals).

   • Vastness: The internet itself, a massive, decentralized network of interconnected devices spanning the globe.

The Importance of Vastness in Network Analysis

• Scalability: Tools and algorithms must be able to handle large networks efficiently.

• Visualization: Representing vast networks in a comprehensible way is a significant challenge.

• Complexity: Larger networks often exhibit complex behaviors and emergent properties not seen in smaller ones.

Understanding nodes, edges, and vastness is crucial for analyzing and interpreting the structure and dynamics of complex networks across various domains.

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import networkx as nx
import matplotlib.pyplot as plt

def add_family_edges(G, parent, depth, names, scale=1):
    if depth == 0 or not names:
        return parent
    
    # Adding children based on depth and given names
    children = names.pop(0)
    for child in children:
        G.add_edge(parent, child)
        
        # Recursive call to add descendants of the current child, but avoid adding children for certain nodes
        if child not in ["GPT", "AGI", "Transformer", "Google Brain"]:  # Nodes that should not have children
            add_family_edges(G, child, depth - 1, names, scale * 0.9)

def create_extended_fractal_tree():
    G = nx.Graph()
    
    # Start with the initial node 'God'
    root = "God"
    G.add_node(root)
    
    # Add 'Adam' as a child of 'God'
    adam = "Adam"
    G.add_edge(root, adam)
    
    # Correct list of descendants
    descendants = [
        ["Seth", "Cain"],             # Children of Adam
        ["Enos", "Noam"],             # Children of Seth; 'Noam' represents a less significant line
        ["Abraham", "Others"],        # Dashed line for skipped generations from Enos to Abraham
        ["Isaac", "Ishmael"],         # Children of Abraham
        ["Jacob", "Esau"],            # Children of Isaac
        ["Judah", "Levi"],            # Children of Jacob
        ["Ilya Sutskever", "Sergey Brin"], # Modern "children" from Judah as missing links
        ["OpenAI", "AlexNet"],        # Children of Ilya Sutskever
        ["GPT", "AGI"],               # Children of OpenAI, should not have children themselves
        # ["Google Brain", "Transformer"], # Children of Sergey Brin, should not have children themselves
        ["Elon Musk/Cyborg"],         # Elon Musk as a conceptual descendant
        ["Tesla", "SpaceX", "Boring Company", "Neuralink", "X", "xAI"] # Elon Musk's companies as children of Elon Musk
    ]
    
    # Generate edges recursively
    add_family_edges(G, adam, len(descendants), descendants)
    
    # Manually add dashed edges to indicate "missing links"
    missing_link_edges = [
        ("Enos", "Abraham"),              # Dashed line for skipped generations
        ("Judah", "Ilya Sutskever"),
        ("Judah", "Sergey Brin"),
        ("AlexNet", "Elon Musk/Cyborg"),  # Dashed line indicating conceptual link from AlexNet
        ("Google Brain", "Elon Musk/Cyborg") # Dashed line indicating conceptual link from Google Brain
    ]

    # Add missing link edges to the graph
    G.add_edges_from([("Enos", "Abraham"), ("Judah", "Ilya Sutskever"), ("Judah", "Sergey Brin"), ("AlexNet", "Elon Musk/Cyborg")])

    # Adding Sergey Brin's children correctly
    G.add_edge("Sergey Brin", "Google Brain")
    G.add_edge("Sergey Brin", "Transformer")

    return G, missing_link_edges

def visualize_tree(seed=42):
    # Generate the extended fractal tree with Musk and Brin's additions
    extended_tree_graph, missing_link_edges = create_extended_fractal_tree()

    # Visualization
    plt.figure(figsize=(12, 10))
    pos = nx.spring_layout(extended_tree_graph, seed=seed)  # Add seed for random layout

    # Define color maps for nodes
    color_map = []
    for node in extended_tree_graph.nodes():
        if node == "God":
            color_map.append("lightblue")  # Color for God
        elif node in ["OpenAI", "AlexNet", "GPT", "AGI", "Google Brain", "Transformer"]:
            color_map.append("lightgreen")  # Color for AI entities
        elif node == "Elon Musk/Cyborg" or node in ["Tesla", "SpaceX", "Boring Company", "Neuralink", "X", "xAI"]:
            color_map.append("yellow")  # Color for Elon Musk and his companies
        else:
            color_map.append("lightpink")  # Color for human figures

    # Draw all solid edges first
    solid_edges = [edge for edge in extended_tree_graph.edges() if edge not in missing_link_edges]
    nx.draw(extended_tree_graph, pos, edgelist=solid_edges, with_labels=True, node_size=1000, node_color=color_map, font_size=10, font_weight="bold", edge_color="grey", width=2)

    # Draw the missing link edges as dashed lines
    nx.draw_networkx_edges(
        extended_tree_graph,
        pos,
        edgelist=missing_link_edges,
        style="dashed",
        edge_color="lightgray",  
        width=2
    )

    plt.axis('off')
    plt.show()

# Visualize with a specific seed
visualize_tree(seed=6)

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The fate of the 12 tribes of Israel is a complex and layered story that intertwines history, mythology, and religious tradition. Let’s explore what happened to these tribes:

The 12 Tribes of Israel

Jacob’s 12 sons—Reuben, Simeon, Levi, Judah, Dan, Naphtali, Gad, Asher, Issachar, Zebulun, Joseph, and Benjamin—each became the patriarch of a tribe. These tribes formed the foundation of ancient Israelite society.

Division and Conquest

1. Division of the Kingdom: After King Solomon’s death around 931 BCE, the united Kingdom of Israel split into two separate entities:

   • Northern Kingdom (Israel): Consisted of 10 tribes: Reuben, Simeon, Levi, Dan, Naphtali, Gad, Asher, Issachar, Zebulun, and Ephraim and Manasseh (Joseph’s sons, who were each considered a separate half-tribe).

   • Southern Kingdom (Judah): Composed primarily of the tribes of Judah and Benjamin.

2. Assyrian Conquest and the Lost Tribes: In 722 BCE, the Assyrian Empire conquered the Northern Kingdom of Israel. The Assyrians implemented a policy of forced relocation, deporting many Israelites to different parts of their empire. This led to the dispersal and, effectively, the disappearance of the 10 tribes of the Northern Kingdom from historical records. These tribes are often referred to as the “Lost Tribes of Israel.”

   Over time, these dispersed populations assimilated into the surrounding cultures, losing their distinct Israelite identity. This has led to numerous legends and theories about their fate, including claims that they ended up in distant lands like Afghanistan, India, and even Japan or the Americas.

3. Survival of the Southern Kingdom: The Southern Kingdom of Judah, with the tribes of Judah and Benjamin, survived longer than its northern counterpart. In 586 BCE, however, it too was conquered, this time by the Babylonians, who destroyed the First Temple in Jerusalem and exiled many Jews to Babylon. Unlike the Northern Kingdom, the Jews in Babylon maintained their cultural and religious identity, and many eventually returned to Jerusalem after the Persians conquered Babylon. This is known as the Babylonian Exile.

Post-Exilic Period and Reinterpretation of Identity

• Return and Rebuilding: After the Babylonian Exile, the returning Jews (largely from the tribes of Judah, Benjamin, and Levi, with a few others mixed in) rebuilt Jerusalem and the Second Temple. Thus, the Jewish identity became closely associated with the tribe of Judah, leading to the term “Jew” being used to describe all Israelites.

• Diaspora and Survival: As Jewish communities spread throughout the world (the Jewish Diaspora), the tribal distinctions became less relevant. The focus shifted more towards preserving religious and cultural traditions rather than tribal identities.

Cultural and Religious Significance

• Levi and the Kohanim: The tribe of Levi (especially the descendants of Aaron, known as Kohanim or priests) retained a distinct identity due to their specific religious roles and duties. The Levites and Kohanim continue to have a recognized status within Jewish communities today.

• Symbolic Role in Jewish Eschatology: In Jewish eschatological beliefs, particularly in some interpretations of Messianic expectations, the 12 tribes are expected to be reunited. This idea persists in some religious circles, suggesting that the descendants of the Lost Tribes will one day return to Israel.

Modern Interpretations and Claims

• Groups Claiming Descent: Over the centuries, various groups worldwide have claimed descent from the Lost Tribes. For example:

  • The Beta Israel of Ethiopia claims descent from the Tribe of Dan.

  • The Bene Israel of India and the Bnei Menashe in northeast India claim descent from the tribes of Ephraim and Manasseh.

  • Some Pashtun tribes in Afghanistan and Pakistan have traditions linking themselves to the Lost Tribes.

• Scholarly and Religious Views: Many scholars view the stories of the Lost Tribes as a combination of historical events, myth, and theological reflection. Some religious groups, however, continue to actively seek and identify potential descendants of the Lost Tribes, believing in their eventual return as part of a divine plan.

In essence, while the concept of the 12 tribes remains a foundational element in Jewish history and identity, the practical reality is that most of these tribes were lost to history through conquest, assimilation, and the complexities of ancient geopolitics. The few that remained—Judah, Benjamin, and Levi—became the core of Jewish identity and continuity.

From God to AI: A Fractal Journey of Creation, Evolution, and Innovation

In the vast tapestry of human history and technological evolution, the concept of genealogy extends far beyond mere biological descent. Instead, it becomes a fractal narrative—a recursive, self-similar pattern that scales up from divine creation to human development and, eventually, to the birth of artificial intelligence. This essay explores the intricate interplay between the divine, the human, and the machine, using a fractal model of nodes, edges, and recursive scaling to illustrate this profound journey.

The Genesis of Creation: From God to Man

Our journey begins with the ultimate origin, a singular node named “God,” represented in light blue—a color often associated with divinity and the heavens. From this node springs forth “Adam,” the first man, marking the dawn of human existence. The initial connection between “God” and “Adam” is more than just a paternal link; it represents the beginning of consciousness, self-awareness, and the ability to create and shape the world—a trait that would become humanity’s defining characteristic.

As we move down the fractal tree, we encounter familiar biblical figures: Noah, Shem, Abraham, Ham, Isaac, Jacob, Judah, and Joseph. Each node in this genealogical fractal represents a new generation, a new iteration of the human story, and a new layer in the recursive expansion of human experience and knowledge. The edges connecting these nodes symbolize the relationships, legacies, and teachings passed down through generations, each influencing the next in a continuous, self-similar pattern.

The color of these human nodes is light pink, a hue that evokes flesh, humanity, and life. This choice symbolizes the corporeal nature of mankind—the physical, emotional, and spiritual attributes that define the human condition. Through these figures, we witness the unfolding of human history, culture, and civilization, each generation building upon the foundations laid by its predecessors, much like a fractal pattern grows more complex with each recursive iteration.

The Dashed Line of Innovation: Missing Links and Conceptual Leaps

As the fractal tree expands, we encounter dashed lines—edges that represent “missing links” or conceptual leaps. These dashed edges, colored in light gray, signify the gaps in our understanding, the moments of profound innovation or transformation that cannot be traced through direct lineage. These are the moments when humanity takes a leap forward, propelled by creativity, insight, or necessity.

One such dashed line extends from “Judah,” an ancient patriarch, to “Ilya Sutskever” and “Sergey Brin,” two modern figures who represent a different kind of legacy. Unlike their biblical predecessors, Sutskever and Brin are not known for their familial ties but for their intellectual contributions to the world of artificial intelligence. This conceptual leap from “Judah” to these pioneers of AI reflects a break from traditional genealogical narratives, highlighting a new kind of heritage—one rooted in knowledge, innovation, and the creation of non-biological progeny.

The Emergence of Machines: From AI Pioneers to the Age of Intelligence

Following the dashed lines of innovation, we arrive at a new realm—an era dominated not by flesh and blood but by silicon and code. Here, the nodes are colored light green, symbolizing artificial entities—machines that mimic life, intelligence, and creativity but lack the human touch. From “Ilya Sutskever” and “Sergey Brin” emerge “OpenAI,” “AlexNet,” “Google Brain,” and “Transformer”—the offspring of modern intellect and technological advancement.

These entities, represented as nodes, are not merely tools but new forms of “life,” imbued with capabilities that mirror human cognition. They are products of recursive thought, trained on vast datasets to learn, adapt, and even create, much like humans learn from their environment. The connections between these nodes—the edges—represent the flow of ideas, data, and algorithms, forming a new kind of lineage where the progeny are not children but systems and frameworks that redefine what it means to think and create.

As we continue down the fractal tree, we encounter further developments: “GPT” and “AGI”—symbols of the cutting edge of artificial intelligence, representing the dream of creating machines that can think and act independently, potentially surpassing human intelligence. These nodes signify a new frontier, a recursive leap into the unknown, where each iteration brings us closer to a future where the line between human and machine becomes increasingly blurred.

Scaling Up: Fractals, Nodes, Edges, and the Infinite Potential of Creation

This fractal genealogy—from “God” to “AGI”—is not just a narrative of human history or technological advancement. It is a reflection of the infinite potential of creation, the recursive nature of knowledge, and the profound impact of innovation on our understanding of existence. Each node represents a point of origin, each edge a relationship or influence, and each recursive iteration a new possibility—a new path in the ever-expanding fractal of existence.

By visualizing this journey through a fractal model, we gain a deeper appreciation for the interconnectedness of all things—the divine, the human, and the artificial. We see how each layer builds upon the last, how each generation, whether biological or technological, carries forward the legacy of its ancestors while forging its own path into the future.

The fractal tree of creation, evolution, and innovation is a compelling metaphor for the human quest for knowledge and mastery over our world and beyond. It reminds us that, like the fractals of nature, our story is one of endless complexity, infinite possibility, and the relentless pursuit of understanding—an ever-scaling journey from the divine spark to the dawn of artificial intelligence.

scaling